Federico Fellini’s shift from heavily neorealist-influenced dramas to the more idiosyncratic, carnivalesque films that defined his work began in 1960 with “La Dolce Vita,” still arguably his greatest ...
Even by his phantasmagorical standards — Satyricon and La Dolce Vita — Federico Fellini’s 8 1⁄2 is a gorgeous headtrip. Whether you approach it as a parable of the effects of writer’s block on a ...
"Do you even have a script? A few pages, an idea?" Janus Films has unveiled a brand new trailer for the all-timer classic Federico Fellini's 8 1/2, originally released in 1963. Considered by many as ...
Now 60 years old, the Italian director's fantastical masterpiece is still the essence of cool. But it's endured because of the heart beneath its stylish exterior, writes Adam Scovell. What counts as ...
IT IS THE 50th Anniversary of Fellini’s 8 1/2. Fifty years ago — on June 25, 1963 — Federico Fellini’s 8 1/2 had its US premiere in New York City. It’s a transparently autobiographical film about a ...
Add Yahoo as a preferred source to see more of our stories on Google. New Yorkers have a chance to see the film Roger Ebert dubbed “the best movie ever made about filmmaking” in a stunning, newly ...
"A picture that goes beyond what men think about - because no man ever thought about it in quite this way!" The beloved classic is back! At least in the UK for now. BFI is re-releasing Federico ...
In 1963, Italian filmmaker Federico Fellini directed his Oscar-winning masterpiece “8 1/2,” reuniting with actor Marcello Mastroianni (“La Dolce Vita”) as an on-screen proxy for his own creative and ...
“8 1/2 is meant to be an attempt to reach an agreement with life, an attempt and not a result or conclusion,” Federico Fellini once said. “I think the film may suggest a solution: to make friends with ...
It was curious yesterday when The Lego Movie,” one of the best reviewed animated movies of 2014, couldn’t make the final cut in the Best Animated Film category at the Oscars. Just as curious yesterday ...
I almost didn’t see “8 1/2 ” again. A press screening of Federico Fellini’s 1963 film, which opened at the Charles on Friday, was scheduled during a particularly harried week. When that Friday rolled ...