At the beginning of Mike Mills' gorgeous new movie “C’mon C’mon” — part scripted drama, part documentary as the film’s actors interview real subjects — Johnny (Joaquin Phoenix) asks a teenage girl how ...
Joaquin Phoenix is back with yet another indie darling. This time, the movie is A24’s C’mon C’mon, a black-and-white drama opening in theaters this weekend. Written and directed by Mike Mills, who is ...
We’re not crying, you’re crying … and so is Joaquin Phoenix in his new film “C’Mon C’mon,” which sees him holding back tears as he reads an unexpectedly poignant children’s book to his nephew. “C’Mon ...
Mike Mill’s directorial C’mon C’mon is a black-and-white movie starring Joaquin Phoenix as the lead. The film celebrates the preciousness of life. It brings a child’s joyfulness and a man’s maturity ...
Britta DeVore is a Senior Author for Collider who has been known to dabble with Reality News as well. When she isn't sitting behind her laptop bringing readers her hot takes on upcoming projects or ...
This story about “C’mon, C’mon” first appeared in a feature about black-and-white cinematography in the Below-the-Line Issue of TheWrap’s awards magazine. The idea for “C’mon, C’mon” started with a ...
Not since Disney’s Brother Bear (2003) has Joaquin Phoenix appeared in a movie so genuinely wholesome and light-hearted as Mike Mills’ C’mon, C’mon this holiday season. A decade ago I never would have ...
C'Mon C'Mon is one of those rare movies where kids are actually presented as complex human beings with thoughts, and the trials of parenting are approached with a stark honesty that leads to one of ...
Ross Bonaime is the Senior Film Editor at Collider. He is a Virginia-based critic, writer, and editor who has written about all forms of entertainment for Paste Magazine, Brightest Young Things, ...
C’mon C’mon from A24 turned in the best per-screen average for a limited platform release since Covid at five theater in New York and LA as stellar critical response was met by strong exit polls ahead ...
The 'Joker' star follows up that colorful Oscar-winning role with a well-observed black-and-white indie about family and quiet human connections. If filmmaker Miranda July hadn’t gotten there first, ...
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