Explore the work of ALL Past Innovate Grant recipients and read their interviews at https://innovateartistgrants.org How to Apply: Visual Artists and Photographers 18 years and older, from all around ...

“We seem to be at the end of globalization. With seismic political shifts, a certain era of contemporary art has also come to a close.” – Joshua Citarella, A Multipolar Art World? October 9, 2025.

Cover image: Screenshot of BookStory’s opening title screen, featuring the interior of the Kurome Shobo bookstore. Usually, a Google Sheet is the site of bureaucratic misery and numbing digits; the ...

This essay was originally published November 2022 as a chapter in the book Documentation as Art, edited by Annet Dekker and Gabriella Giannachi. In the preservation of digital art, documentation is ...

GIF extract form Hito Steyerl, How Not To Be Seen. A Fucking Didactic Educational .MOV File, 2013. HD video file, single screen, 14min. How Not to be Seen: A Fucking Didactic Educational .MOV File is ...

Courtesy grouphab.it and Harm van den Dorpel. An extended and altered version of this text will be published in... You Are Here: Looking at After the Internet (Cornerhouse Books 2014), edited by Omar ...

Pete Jiadong Qiang, Queer Maximalism HyperBody (2020). Game level Pinkray, Pinkray plush dolls, VR gameplay screenshot. Courtesy of the artist and CheeseTalk. The latest in a series of interviews with ...

I was wondering if you could tell me a little bit about the foundations and origin of Metahaven. A brand is a socially and economically sustained form of prejudice. Branding is the management of first ...

Back in March, Rhizome relaunched its Microgrant program, inviting proposals for Browser-based projects and pitches for articles about works of born-digital art in the Rhizome ArtBase. Our staff ...

Created by Casey Reas and Ben Fry, Processing is an open source programming language and environment for people who want to program images, animation, and interactions. It is used by students, artists ...

I first began to realize the potentiality of my glitch body at the age of thirteen. If not thirteen, maybe even a few years younger—eleven, even—when I signed up on Yahoo! under the handle of ...

Martine Syms, film still produced for the cover of Most Days (2014). LP. Mixed Media Recordings, Brooklyn. The undersigned, being alternately pissed off and bored, need a means of speculation and ...