Explore the work of ALL Past Innovate Grant recipients and read their interviews at https://innovateartistgrants.org How to Apply: Visual Artists and Photographers 18 years and older, from all around ...

“We seem to be at the end of globalization. With seismic political shifts, a certain era of contemporary art has also come to a close.” – Joshua Citarella, A Multipolar Art World? October 9, 2025.

Courtesy grouphab.it and Harm van den Dorpel. An extended and altered version of this text will be published in... You Are Here: Looking at After the Internet (Cornerhouse Books 2014), edited by Omar ...

This essay was originally published November 2022 as a chapter in the book Documentation as Art, edited by Annet Dekker and Gabriella Giannachi. In the preservation of digital art, documentation is ...

I first began to realize the potentiality of my glitch body at the age of thirteen. If not thirteen, maybe even a few years younger—eleven, even—when I signed up on Yahoo! under the handle of ...

At this very moment, countless dicks compete for your attention. Some archived and waiting to be accessed through the same internet search tools you use to find new restaurants, some directed at you ...

I was wondering if you could tell me a little bit about the foundations and origin of Metahaven. A brand is a socially and economically sustained form of prejudice. Branding is the management of first ...

Back in March, Rhizome relaunched its Microgrant program, inviting proposals for Browser-based projects and pitches for articles about works of born-digital art in the Rhizome ArtBase. Our staff ...

The latest in a series of interviews with artists who have a significant body of work that makes use of or responds to network culture and digital technologies. Simone Krug: So much of your work is ...

Installation view, “Camera Rider” at Team Gallery, New York, 2019. Courtesy of Team Gallery. The latest in a series of interviews with artists who have a significant body of work that makes use of or ...

As Slavoj Žižek and others have argued, the credit sequences designed by Saul Bass for Alfred Hitchcock's unofficial trilogy of late masterpieces—Vertigo (1958), North by Northwest (1959) and Psycho ...

This is the first post in a series on the queer history of computing, as traced through the lives of five foundational figures. It is both an attempt to make visible those parts of a history that are ...