The beloved director was known for his surreal works like "Blue Velvet," "Mulholland Drive," and "Twin Peaks."

David Lynch, whose death was announced Thursday, was my motion picture lodestar. When his 1977 movie Eraserhead played at an obscure film festival, now long gone, in Woolwich, London, it was like nirvana for a kid raised on The Sound of Music,

The 19-year-old musician was drawn to New York by the promise of counterculture in a part of the city that's a-changin'

On his third album, “The Big Dream,” Lynch teamed up with Swedish singer Lykke Li for the dreamy “I'm Waiting Here,” a breathy, depressed doo-wop anti-hit that sounds like it was recorded in the spot where a sunset horizon hits an open road.

Wayne Coyne was born, "The Twist" became the only single in the history of the charts to make it to No. 1 on two separate occasions; Bob Dylan started recording 'Bringing It All Back Home'; and "Folsom Prison Blues" was recorded live at Folsom Prison,

The decades-long valorization and near-deification of the late filmmaker David Lynch is a sign of declining cultural standards and decaying societal values. Long ago, the public flocked to films by directors whose artistic visions,

It would be impossible to overstate the late David Lynch‘s impact on The A.V. Club, past and present. To pay tribute, we’re touching up some archival posts and lining up additional features, including this AVQ&A: What’s your favorite David Lynch moment?

The former Celine designer’s coming-out party is a lesson in fashion’s lame-duck season. What’s the most mysterious designer in the world to do after he mysteriously leaves his high-profile job? Go out on the town, of course.

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If The Great Return To Work this morning felt a little arduous, after a festive lull period of pyjamas and leftover pigs-in-blankets, spare a thought for the fellows facing the red carpet at the Golden Globes in Los Angeles.

The filmmaker was celebrated for his uniquely dark vision in such movies as "Blue Velvet" and "Mulholland Drive" and the TV series "Twin Peaks."

The first sounds you hear when you drop the needle — or click the digital file — on Bob Dylan’s Blood on the Tracks are guitars ringing and chiming, almost like bells. They serve as a kind of preface or overture or opening statement or call to prayer for what the listener is about to hear: 56 minutes of a journey through dark heat into the heart and soul of an artist at the depths of sadness driving him to the heights of creative achievement.