For nearly 30 years, Rhizome has supported digital art that has helped to shape contemporary conversations about technology and culture. In an era of platform monopolies, algorithmic manipulation, and ...

Kristoffer Skorstengaard Tjalve: Daniel, we first started talking when I invited you to speak at Naive Yearly. During one of our calls, you said that the internet is really good at being big and small ...

Measuring and understanding digital emissions is becoming a popular sub-topic of sustainability in the arts and culture sector. So much of the work we do in the digital art community and within the ...

Rhizome and Electronic Arts Intermix (EAI) are teaming up with Canyon—a major new venue for media art opening on New York’s Lower East Side in 2026—to develop joint programming and expand public ...

An der Kunstuniversität Linz gelangt am Institut für Medien in der Abteilung Interface Cultures die Stelle einer*eines Universitätsprofessor*in für „Interface Cultures/Critical Data“ gem. § 98 (1) UG ...

In April, Rhizome hosted the launch of a new zine by Our Friend the Computer, a technology history podcast hosted by Camila Galaz and Ana Meisel. Rhizome Community Designer Bri Griffin joined Camila ...

Rhizome recently organized a screening series as a part of the 2023 FWB Festival, an event described by the festival's manifesto as "a destination gathering of new-internet communities, and a ...

Back in March, Rhizome relaunched its Microgrant program, inviting proposals for Browser-based projects and pitches for articles about works of born-digital art in the Rhizome ArtBase. Our staff ...

On June 28, Rhizome held our annual benefit in partnership with TRLab, honoring generative art and artists Rafaël Rozendaal, Lillian Schwartz, and Ix Shells. The night was also a celebration of ...

This essay was originally published November 2022 as a chapter in the book Documentation as Art, edited by Annet Dekker and Gabriella Giannachi. In the preservation of digital art, documentation is ...