The ending of the film (spoilers ahead) is one of the most universally disliked aspects of Joker: Folie a Deux, a miserable end for Arthur Fleck and the alleged birth

“Folie à Deux” does neither. Taking a cue from the last scene of “Joker” — a psych evaluation where Arthur hears Frank Sinatra’s “That’s Life” in his head and starts to sing along — the film is basically one long drawn-out courtroom drama, interrupted by musical numbers (old standards, most of them sung in Arthur’s head).

Joker: Folie à Deux director Todd Phillips has explained Arthur Fleck’s confession and the Joker’s true identity. In a recent interview, Phillips provided details about the movie’s ending and Arthur’s final moments,