Opening with Sibelius’ Violin Concerto in D minor, I was reminded of a masterclass given by Maxim Vengerov many years ago in ...

The Russian conductor convinces everyone with a magnificent interpretation of Strauss' score, leading an outstanding cast in ...

Elisa Verzier, making her Glyndebourne debut, is astonishing as Violetta in a revival of Tom Cairns' 2014 production.

A revival of Mariame Clément's production of Rossini's less-loved comic gem provides the sense of Italian sun to warm the ...

Together with soloist Sir Stephen Hough, the CBSO and Sir Mark Elder reinvent Brahms’ First Piano Concerto, present the ...

The director of Collegium 1704 talks about Zelenka, the greatest Czech Baroque composer, and his uniquely bold and distinctive approach composition – which still has the capacity to shock and ...

The Budapest Festival Orchestra travel up the Danube, bringing Brahms back to Vienna with affectionate, passionate ...

Yannick Nézet-Séguin leads The Philadelphia Orchestra in a multifaceted performance of Mahler’s monumental, life-affirming ...

After an absence of more than two decades, Esa-Pekka Salonen returns to The Cleveland Orchestra, conducting his own Cello ...

What took so long, you may wonder, to get three female choreographers on a triple bill at New York City Ballet. This one ...

The eclectic London venue’s new artistic director discusses her plans for the future, finding new audiences and rooting music ...

The Hallé, conducted by Tianyi Lu, give a magnificent account of Dvořák's Cello Concerto with Alban Gerhardt and Brahms' ...