Actrice mythique et figure libre, Sarah Bernhardt a bouleversé le théâtre, défié les normes et inventé sa propre légende. Le documentaire « Sarah Bernhardt, à corps perdu » est à retrouver sur TV5MONDE 📺 #sarahbernhardt #TV5Monde #theatre | TV5MONDE

In the newest edition of Speaking In Dance, The New York Times features Principal Dancer Sara Mearns performing the MacDonald of Sleat section of George Balanchine’s 1976 ballet Union Jack. “I love parts like this that are not pretty,” she tells the Times. “I love it when you don’t have to show any emotion. It’s badass. You’re on a mission to conquer.” Read more: https://nyti.ms/2kHRA4V See Union Jack on the All Balanchine program SEPT 25, 28 mat, 29, OC 1, 4: nycballet.com/balanchinefall | New

“The music is amazing because it’s loud and boisterous and exciting, and it sort of wraps you up; it’s hard not to dance as big as you possibly can.” Principal dancer Sara Mearns describes how performing the solo in the 4th movement of Balanchine’s Brahms-Schoenberg Quartet is all about self-expression. Strikingly different from the three preceding movements, with their long tutus and romantic movements, the music and choreography here lend themselves to jumping, fast movements, “big arms, big l